General Issue

Our next issue traverses women’s theatrical labour from a diverse range of perspectives. Shelley Scott revisits the legacy of Gwen Pharis Ringwood; Laine Zisman Newman theorizes “lesbian rush” through Jess Dobkin’s The Magic Hour; Cathleen McKague catches up with Robertson Davies in the margins of his 1949 production script for The Taming of the Shrew; and much more.